![]() The psychology behind our love of horror films is pretty simple. We love the adrenaline rush, and we feel comparatively safe knowing that a hatchet-wielding clown isn.The Best Movies That UK Netflix Has On Right Now. Ever sat down for a nice pleasant evening of Netflix- and- chilling – only to buckle under the pressure of choice? Your friends at Empire have picked out – in no particular order – 5. Some are classics, some deeper cuts; all are worthy of your sofa time. Looper (2. 01. 2)Before Rian Johnson found himself swept up in a galaxy far, far away, he directed this fiercely smart slice of science- fiction thrills, which pitted Joseph Gordon- Levitt as a young Bruce Willis, forced to kill his older self, played – yes! Like Brick, Johnson and Gordon- Levitt’s earlier collaboration, this is a tough, noirish, down- to earth thriller – albeit one with time- travel, telekinesis, and cars with solar panels on them. Watch this and get excited about Johnson’s next gig: a little indie by the name of The Last Jedi. Read Empire’s review here. Brooklyn (2. 01. 5)This is not, as you might first imagine, a story about some heavily- tattooed baristas looking to make a mark in Brooklyn’s up- and- coming slam poetry scene. John Crowley’s film depicts the New York borough at a formative stage in its history, when a new swell of postwar Irish immigration changed the city forever – and by telling an intensely personal story, of a young Irish girl caught between cultures and romances, he shows the immigrant experience with charm and humour. And not a barista in sight. The Vore's Film staff selects the top best gangster movies of 2017 in cinema, DVD and Netflix. Are Scott Cooper, Pablo Trapero & Rupert Wyatt our new gangster genre. What are the best LGBT Movies on Netflix Instant available for streaming? The list below ranks the best gay and lesbian films on Netflix in one convenient place. This list was updated June 15, 2017 to reflect Netflix’s current offerings. Netflix Streaming can be overwhelming — so many options, yet so hard to browse — and. If you're looking for something unconventional, try one of these Netflix-ready scare-fests on for size. Read Empire’s review here. Schindler’s List (1. Close Encounters may be his most groundbreaking, and Raiders Of The Lost Ark his most entertaining, but by most accounts, Schindler’s List is Steven Spielberg’s ultimate masterpiece. Agonising for years over whether he had the head for such heavy- going Holocaust material, the director ultimately reached a maturity in his career here, juggling deeply emotional storytelling with rigorous historical accuracy – and all at the peak of his artistic powers, as that stark, gobsmacking black- and- white photography proves. It’s a tough watch, and at 1. ![]() Read Empire’s review here. Birdman (2. 01. 4)Shortly before Alejandro G. The result is something surprising, funny, and rather magical, offering a skewering hot take on modern culture – and boasting, arguably, the best Michael Keaton performance to be found on screen. One of the best collaborations between Ghostbusters alumni Harold Ramis and Bill Murray, this timeless comedy can be revisited endlessly, with new details on every rewatch. One of the best collaborations between Ghostbusters alumni Harold Ramis and Bill Murray, this timeless comedy can be revisited endlessly, with new details on every rewatch. One of the best . The story of young Ofelia's quest, against the poisonous backdrop of post- Civil War Spain, to survive three fantastical tasks and prove herself a Princess could have been trite, but in Del Toro's sure hands becomes magnificent. Creepy and beautiful in equal measure. Read Empire’s review here. Watchmen (2. 00. 9)Watchmen overcame a twenty- year period development hell, multiple directors, an irascible writer and some extremely silly- looking costumes to become one of the all- time great superhero movies, and one that (despite his best efforts) remains to this day Zack Snyder’s Best Film. Largely faithful to Alan Moore’s landmark graphic novel, it enraged comic book purists but electrified the screen genre with its visual ambition and brutal moral compass. The oddly hilarious airborne sex scene is worth the place on your Netflix watchlist alone. Read Empire’s review here. Mean Streets (1. 97. The film that announced Martin Scorsese, Robert De Niro and Harvey Keitel as cinematic talents who might be worth keeping an eye on, actually. Mean Streets is not Scorsese’s best crime film (that honour surely goes to Goodfellas) but it laid the groundwork for his later career – and in hindsight, the mafia genre as a whole. To witness the slow- motion bar entrance of Robert De Niro’s Johnny Boy is to witness the advent of a new era. Read Empire’s review here. Son Of Saul (2. 01. There have been plenty of films that tackled the unspeakable horrors of the Holocaust, so it takes a filmmaker of singular vision to place a fresh spin on it. Son Of Saul is no less harrowing or soul- searching than those that came before it, but in its riveting story of the Sonderkommando’s revolt, it presents a tale of resistance rather than victimhood, and frames it almost entirely via a close- up of G. Martin Luther King Jr. That changed in 2. Ava Du. Vernay’s soaring film about the Selma civil rights marches, the events which directly spurned President Johnson to enact the historic Voting Rights Act. In the end, it took a British actor – David Oyelowo – to portray a complex American hero acting during a shameful chapter in the history of a country still learning difficult lessons. Read Empire’s review here. Drive (2. 01. 1)Ryan Gosling’s 2. Drive. Barely a word passes Gosling’s lips – which spend far more time negotiating a toothpick, James Dean- style – but he leaves quite an impression. The opening chase, the bank robbery gone wrong, and the bloody encounter in a lift will all linger long in the memory. Read Empire’s review here. The Big Lebowski (1. If you’ve ever been told that a rug really tied the room together; if someone has ever insisted than this aggression will not stand, man; if you’ve ever been told to shut the fuck up, Donny, chances are you’ve had The Big Lebowski quoted at you. While it is destined to forever be quoted by its legion of stoner fans (fans still organise an annual Lebowski Fest in several cities), don’t let the cloud of cult status mask what remains one of the Coen brothers’ most purely entertaining films, a surreal and twisty diversion into a strange corner of 1. LA: strikes and gutters, ups and downs. Read Empire’s review here. Network (1. 97. 6)“I’m mad as hell, and I’m not going to take it any more!” With that rousing rallying cry to the masses, Peter Finch’s furious news anchor kicks off a landmark satire from director Sidney Lumet and screenwriter Paddy Chayefsky. Brutally and brilliantly skewering the culture of the time while also proving horrifyingly prescient, Network set a high watermark for the 1. American cinema. Read Empire’s review here. Sicario (2. 01. 5)Before Arrival arrived, and Blade Runner’s 2. Sicario, a film which confirmed French- Canadian filmmaker Denis Villeneuve as one of the most important and exciting directors working today. This pulsating, morally ambiguous thriller bears some resemblance to Steven Soderbergh’s Traffic in its angry indictment of the War On Drugs (and its fruitful use of Benicio Del Toro), but with Villeneuve twisting expectations in every direction, and Roger Deakins on lensing duties, it stands well apart. Also features the most intense cinematic traffic jam since The Cannonball Run. Read Empire’s review here. Adventureland (2. The coming- of- age formula has rarely been executed as warmly or as likably as this quietly brilliant little comedy- drama from Superbad director Greg Mottola. Jesse Eisenberg is the nebbish high school graduate hoping to earn a few bucks in the summer before college; Kristen Stewart is the cynical- but- kind object of his infatuation who stands firmly on her own two feet. Together they negotiate an eccentric 1. Read Empire’s review here. Pulp Fiction. Don’t know who Vincent Vega is? Then you haven’t witnessed John Travolta at his absolute best. This ultra- violent, ultra- intertwined masterpiece is one of five Tarantino films available on UK Netflix. Jackie Brown, From Dusk Till Dawn, Kill Bill: Vol. Reservoir Dogs are also ready and waiting for you. Read Empire’s review here. Sing Street. Once director John Carney, a former pupil of Synge Street school in Dublin, heads back to his old stomping ground for this stonking . Come for the toe- tapping period soundtrack (Hall & Oates! Duran Duran! Spandau Ballet) and original songs, stay for the emotional depth and all- round feel- goodery. Read Empire’s review here. The Big Short. A true story about collateralised debt obligations from the guy who directed Talladega Nights? The Big Short was always something of an incongruous proposition. But with effervescent scattershot direction, and dynamite performances from the likes of Christian Bale, Steve Carell, and a jacuzzi- dwelling Margot Robbie, it is at once instantly entertaining and extraordinarily disturbing. We follow three groups on the fringes of the financial industry during the mid- noughties as they slowly uncover the house of cards propping up the mortgage industry, just as it’s about to tumble. Comedy, and real- life horror, in the same gold- plated spoonful. But apparently it’s okay to stream it into people’s living rooms. David Fincher’s knowing, subversive masterpiece sees Edward Norton as the unnamed protagonist who’s sucked into a vortex of anti- consumerism, bare- knuckle fighting and domestic terrorism by Brad Pitt’s enigmatic Tyler Durden. Poignant, prescient and achingly stylish, this darkly comic satire is as irresistible as it is iconic. Read Empire’s review here. Hunt for the Wilderpeople. Taika Waititi followed up his sublime vampire mockumentary What We Do In The Shadows with this charming and hilarious adventure through the New Zealand bush, which plays like an Antipodean Up, casting Sam Neill as the irritable old man, and newcomer Julian Dennison as the precocious juvenile he learns to love. In 2. 01. 6, the annual poll among Empire writers decreed it the best film of the year. Isn’t it about time you chose the skux life and saw what all the fuss was about? Read Empire’s review here. Titanic. It may have become a punchline for cheesy melodrama, but to remain as the second highest- grossing film in history, two decades after its initial release, Titanic has to be doing something right. The Best Sex Horror Movies of All Time.
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